# b( h" h( G k4 {8 v; i p$ e4 x8 ^ On the morning of September 11, 2001, Paul McCartney was in New York City on anairport runway waiting to fly to Britain. As he absorbed the news of theunfolding tragedy, he wondered, “What can I do?” The answer, of course, lay inmusic. ) K% m; l% Z/ o- K8 H McCartney reached out to master documentarian and long-time friendAlbert Maysles, inviting Maysles to document his personal experiences on 16mmblack and white film, a format seldom used in the digital age but of provenendurance and artistic quality. Over several weeks in October 2001, Maysles’camera followed McCartney as he prepared for The Concert for New York City, abenefit he helped organize to uplift New York City during this period ofuncertainty and vulnerability. The footage went unseen for years, requiring thepassage of time to be put in perspective. Now, ten years later, Maysles, hisdirecting partner Bradley Kaplan and editor Ian Markiewicz have emerged with anintimate work that explores the role of art and artists in a time of crisis. 1 g% k5 T( p5 `* l1 M. I& D下载地址：1 ?5 T; j' ]1 Q9 G# N# e, v: f
